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Friday, 15 April 2016
Friday, 8 April 2016
Tuesday, 5 April 2016
Chosen Location
We originally chose a large, antique-like house in Hellesdon due to the aesthetically pleasing attributes that it possesses such as the grand size. Unfortunately, our first shoot in this house went pretty awful, so we decided it was best to choose a different location that was much more suitable. The second house - a house that belonged to one of our group members in Mulbarton - was easier to access and more convenient for everyone to get to.
Although the Mulbarton house was a little smaller than the Hellesdon house, it was still just as suitable, and the easy access allowed us to film much more efficiently in the time frame we had. The Mulbarton house was actually a lot better in a few ways compared to the Hellesdon house; for one, it had a stone path leading up to the house which had a much better impact on our sound. The sound of the footsteps on the stones is much more effective, and a key part of our thriller. Furthermore, the new choice of house had a larger bedroom than that of the Hellesdon house, which enabled us to fit the tripod more comfortably in the room, and allow us to achieve the best shots possible. The bed in the Mulbarton house had a lot of room underneath where we could place the bag, which is an important part of our thriller. The new house actually fit our storyboard better, especially because of the bedroom. This was a relief as we didn't have to redraw our storyboard. Below are some practice shots that we thought would help us get a feel of what angles and places to use when we film.
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Mulbarton House |
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Practice Shot 2 |
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Practice Shot 3 (Final Shot) |
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Practice Shot 1 |
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Practice Shot 3 |
Sunday, 3 April 2016
Q2. How does your thriller opening represent gender?








Friday, 1 April 2016
Q1. In what ways does your media product use, develop or challenge forms and conventions of real media products?
Our thriller is an inspired by the film noir aspect of thriller films. In our thriller opening, we use and challenge conventions of the film noir genre. Most of our inspiration came from 'Double Indemnity' as even the plot is like ours - the female character deceives the male character.
Costume




Props



Because we wanted to challenge film noir conventions, we displayed Serena as being powerful and dangerous, as well as secretive and mysterious; we aimed to present her as being more dominant over the male character - Mr Mordecai.

Location




Sound
Our original soundtrack idea was to have soft jazz playing in the background, similar to the 'Sin City' opening scene soundtrack but unfortunately, we were unable to find such soundtrack due to Copyright issues. Instead to build tension and uneasiness, we found a low rumble, which can be heard throughout the opening of our thriller, along with a soft drum beat to build tension. Although we wanted to develop film noir conventions here, our version with the rumble still worked just as effectively as a jazz soundtrack would've.
To correspond to Serena's mysterious, unpredictable nature, we used non-diegetic wind chimes to create an eerie, uneasy feeling. This creates the feel of uncertainty around Serena, with the audience unsure of her next move. The audience may even believe that Serena is mentally unstable, and the wind chimes that challenge the film noir genre may lead them to believe that she is morally evil.
To correspond to Serena's mysterious, unpredictable nature, we used non-diegetic wind chimes to create an eerie, uneasy feeling. This creates the feel of uncertainty around Serena, with the audience unsure of her next move. The audience may even believe that Serena is mentally unstable, and the wind chimes that challenge the film noir genre may lead them to believe that she is morally evil.
We used diegetic sounds such as the phone beep, footsteps on the gravel and the gunshot where the original sounds we had were not loud enough, apart from the gunshot as we didn't already have a sound for this.
Camerawork
Camerawork




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